This bass loop combines slap and pop techniques to create a funky disco vibe at 115 BPM. Each note uses a mix of sawtooth and sub-sine waves, with a fast pitch drop at the start simulating the string hitting the fretboard. A resonant low-pass filter with a quick envelope shapes the "quack" of slaps with cutoffs around 300-1800 Hz, while pops have a brighter cutoff near 800-4800 Hz. The sound is saturated with tanh distortion and given subtle stereo width via a slow chorus effect, and finalized with a "smile" EQ boosting low and high frequencies.
This loop fits well in disco, funk, and house tracks around 115 BPM. Its tight, rhythmic character works well as a groove foundation or layered with synth pads and guitars. Watch for bass conflicts in the mix since the loop has a strong low end and bright transient content; gentle compression or sidechaining can help it sit with kick drums.